Equipment

My equipment and sound has remained the same for many years. My main guitar is a late sixties Fender Strat. It has two Lawrence L-90 pickups, one in the neck and one in the bridge position. The pickups are wired to two on-off toggle switches and straight to the volume control and straight out. There is no tone control or filter in this guitar. This guitar sounds big. The notes are thick like a foghorn. My backup guitar is about a 1980 walnut Fender Strat. This too is fitted with Lawrence L-90 pickups and wired the same way with no tone control. The volume control on both guitars is always all the way up, and I control my volume with a volume pedal. Both guitars use GHS guitar strings. Set number 1315, .011-.050 gauge. But as long as they’re 11’s on top, I can usually get by with any brand. And I use Fender heavy gauge teardrop guitar picks.

My main amplifier is a first generation Fender Stage Lead solid state amp. This amp gives me plenty of honk. I also have a second Stage Lead from around the same era that my amp guy, Vinnie Collins, rewired the same as my main amp, since later editions of that amp had used different components which altered the sound from the originals. I also have a 1987 Peavey Bandit 65 amp that has been a solid sounding and durable backup to the backup amp. My amp is set with the volume at 8, the gain at 7, the master at 6, the treble in the range from 7 to 9, the mid all the way up, the bass all the way up and the reverb set at about 4.

My pedal board is fitted with four effects pedals, all by Boss. A BD-2 Blues Driver, a DD-3 Digital Delay, a DM-3 analog delay and a NS-2 Noise Suppressor/Power Supply. I also have a Seiko Tuner and a Korg volume pedal. The analog delay is the only pedal that is always on, just to fatten the sound. The other pedals are used only when needed.
For micing when recording, I use two Sure 57 microphones. One placed facing the speaker at the speaker grill, and the other placed at the speaker grill at a ninety degree angle to the first mic.

The guitars, the pickups, the amps, they all take care of business real well to give me my sound. When I’m all the way up the single notes are thick. When I turn down the volume I can still get full sounding chords without distorting.
 

(C) Steve Young